DAY OF THE DEAD

featuring Llewellyn Sánchez-Werner

Day of the Dead LIVE!

  • Day of the Dead LIVE! is a witty, high-energy, one-hour piano-and-puppet spectacle celebrating Día de los Muertos, the holiday of family remembrance. Designed for audiences of all ages, the work blends diabolical classical and popular music with large-scale visual theater—an “ultimate family reunion” where dearly departed ancestors are the guests of honor.

    The performance is anchored by virtuoso pianist and artistic director Llewellyn Sánchez-Werner, whose playing guides the audience through a musically adventurous journey, from Saint-Saëns’ Danse Macabre and Liszt’s Dante Sonata to Mexican folk and classical repertoire by Rubio, Velázquez, Chávez, and Ponce, with a touch of Bernstein. Many works are newly arranged to heighten theatrical impact and narrative flow.

    Directed by circus-trained aerialist Juanita Cardenas, the production features life-sized puppets, dancers, jugglers, stilt-walkers, ghosts, skeletons, and acrobatic creatures who animate the music with humor and flair. At the center of the stage is a glowing, candlelit ofrenda (family shrine), gradually illuminated throughout the performance, honoring ancestors, Mexican revolutionaries, artists, and cultural figures—transforming remembrance into celebration.

    Day of the Dead LIVE! creates a joyful, participatory experience that invites audiences to laugh, reflect, and ultimately dance—culminating in a festive curtain call set to Bernstein’s Mambo. Ideal for libraries, cultural centers, and family series, the project offers a vibrant, accessible gateway to music, history, and cross-generational storytelling.

  • SAINT-SAËNS Danse Macabre (arr. Liszt/Horowitz) 8’

    PONCE Intermezzo 3’

    RUBIO Jarabe Tapatío (arr. Earl Wild) 4’

    VELÁZQUEZ Bésame Mucho (arr. Sanchez-Werner) 4’

    LISZT Dante Sonata 12’

    CHÁVEZ Hoja de Álbum 3’

    PONCE Balada Mexicana (arr. Sanchez-Werner) 10’

    BERNSTEIN Mambo! (arr. Sánchez-Werner) 3’

  • Day of the Dead LIVE! was developed as a highly theatrical, culturally-centered celebration of Día de los Muertos, uniting virtuosic piano performance with large-scale puppetry and movement. The project has been successfully presented in New York City and Chicago, engaging diverse, intergenerational audiences through performances that honor cultural memory while remaining playful, accessible, and visually striking.

    Building on this momentum, the next phase of the project focuses on scaling the production and expanding its national footprint. A priority goal is to present Day of the Dead LIVE! in Los Angeles and other major U.S. cities, where the work’s themes of remembrance, community, and celebration resonate strongly across cultures.

    Artistically, the project is designed to be flexible and expandable. Future iterations may incorporate chamber ensemble or full orchestral forces, enriching the musical palette while preserving the central role of the piano. With additional resources, the creators also envision granting Llewellyn Sánchez-Werner and Juanita Cardenas greater freedom to further develop the visual and theatrical elements—expanding puppetry, aerial work, and stage imagery to match the scale of larger venues. Together, these goals position Day of the Dead LIVE! for continued growth as a flagship, large-scale cultural event for families and communities nationwide.

Artist's Website
Artist inquiry

Photos

ART Work

  • ARTIST BIO

    “A gifted virtuoso” (San Francisco Chronicle) with “mesmerizing artistry and extraordinary ability to communicate” (The Post-Standard), “poetic, electrifying” (Michigan Live) with “masterful technique and a veritable deluge of sonorities” (La Presse Montreal), 28-year-old Llewellyn Sánchez-Werner was selected First Prize Winner of the Concert Artists Guild International Competition. Named a Gilmore Young Artist, an honor awarded to the most promising American pianists of the new generation, his multi-faceted artistry has been featured in the New York Times, CBS, PBS, NPR, CNN International, Mexico News Daily, the Wall Street Journal, and WDR-Arte.

    Llewellyn’s recent international performances include The Royal Concertgebouw in the Netherlands, CultureSummit Abu Dhabi, the Louvre and Grenoble Museums in France, Smetana Hall in the Czech Republic, State Philharmonic Hall in Slovakia, Verbier Festival in Switzerland, Ashford Castle in Ireland, Gijon International Piano Festival in Spain, and Jack Singer Concert Hall, Musée des Beaux-Arts de Montreal, and Banff Arts Festival in Canada. In the United States, he has frequently concertized at the Metropolitan Museum of Art, Lincoln Center, and National Sawdust in New York, Mary B. Galvin Hall in Chicago, Richardson Auditorium at Princeton University, Paramount Theater in Oakland, and the Kennedy Center, the Smithsonian Art Museum, and Warner Theatre in Washington, D.C.

    Llewellyn performed at the Kennedy Center and the White House for President Obama and President Biden during each of their terms, for President Peña Nieto of Mexico, Prime Minister Peres of Israel, and President Kagame of Rwanda. Committed to public service, he received the Atlantic Council Young Global Citizen Award recognizing his dedication to social action through music in such countries as Iraq, Rwanda, France, Canada, and the United States. Fellow honorees included Robert De Niro. General Petraeus commended his “courageous humanitarian contributions through the arts…strengthening the ties that unite our nations.”

    On UN World Day for Cultural Diversity, he played with the Iraqi National Symphony in Baghdad, raising funds for the Children’s Cancer Hospital, and in Rwanda, he performed for economic leaders and President Kagame as Rwandans continue rebuilding from the Tutsi genocide. He augmented awareness when he was featured on CNN International. In Paris, he performed at the U.S. Embassy for a special event honoring the visit of the U.S. State Department’s Special Envoy to Muslim Communities, Shaarik Zafar, which was attended by an American delegation and local representatives from various religious groups and civil society advocates.

    Renée Fleming, Eric Owens, Marina Poplavskaya, Richard O’Neill, and Cynthia Phelps are among the leading artists Llewellyn has collaborated with as an active chamber musician. He was Artist-in-Residence at the Canandaigua LakeMusic Festival, Discovery Artist of the New West Symphony, and served as music director for a production of Aida at City College Arts Academy in New York. He partnered with the Gershwin family on a concert and biographical tribute to the Gershwin brothers, and performed “Hallelujah Junction” for John Adams at his 70th birthday celebration in New York. For a Hilan Warshaw WDR-Arte documentary titled “Wagner’s Jews,” which explores the controversy of performing Wagner in Israel and has been aired around the world, Llewellyn recorded works of Liszt, Wagner, and Tausig.

    Since making his concerto debut at age 6, he has performed under the batons of such conductors as Mirga Gražinytė-Tyla, Peter Oundjian, Karina Canellakis, Michael Morgan, Boris Brott, Tito Muñoz, David Lockington, William Noll, Burns Taft, Robert Lawson, and Karim Wasfi. His long relationship with Michael Morgan, with whom he has soloed with 3 orchestras, expanded beyond performing titans of the concerto repertoire when they took on the rarely performed Carlos Chávez piano concerto in a performance that received the Ross McKee Foundation Grant. His adventurous programming also took him to perform Philip Glass’ piano concerto, “After Lewis and Clark,” under the baton of Tito Muñoz. 

    Llewellyn was awarded a National Foundation for Advancement in the Arts’ YoungArts gold medal in music. Further, he performed Beethoven, Mozart, and Haydn concerti in partnership with the National Academy Orchestra of Canada and the New West Symphony in 16 concerts for 20,000 North American students to excite more youth about classical music. He continued performing with maestro Boris Brott for an additional 6,000 students as part of an anti-bullying campaign.

    A California-born New Yorker, Llewellyn began his first college degree at age 5, and at age 6 began performing regularly with orchestras. Principal teachers have included Ilya Itin, Eduardus Halim, Boris Berman, Yoheved Kaplinsky, Robert Durso, composition with Lowell Liebermann, and improvisation with Noam Sivan. He has extensively worked with Robert Levin, Joseph Kalichstein, Wu Han, Gilbert Kalish, Robert McDonald, and the Brentano, Borromeo, and Shanghai Quartets. 

    Llewellyn holds Bachelor and Master of Music degrees from Juilliard, where he was awarded the Kovner Fellowship, won the concerto competition, and was the youngest admittee to each program at ages 14 and 18, respectively. He received an Artist Diploma from the Yale School of Music, where he was awarded the Charles S. Miller Prize. Llewellyn is a Steinhardt Doctoral Fellow and Adjunct Professor at New York University.

INSTAGRAM

YOUTUBE

Llewellyn Sánchez-Werner Artist page