PUBLIQUARTET

GRAMMY NOMINATED

Good Trouble

Available beginning August 2026

With this collection of subversive and powerful works for improvising string quartet, PUBLIQuartet invites audiences to consider music making as an act of resistance against oppression and advocacy for change: from the sardonic humor of Shostakovich’s Quartet No. 7, to the more explicit protest voiced by Charles Mingus’ “Fables of Faubus” and Daniel Bernard Roumain’s homage to Malcolm X, to iconic anthems by Marvin Gaye, Edith Piaf, and Nina Simone. Also on the program are works in which improvisation becomes a vehicle for transcending the traditional constraints and expectations of the string quartet: Jessie Montgomery’s “Break Away,” in which players literally break away from the written score by improvising, and a re-imagination of Franz Schubert’s “Death and the Maiden” quartet incorporating the extreme sonic palette of death metal. 

Found Futures

Available beginning August 2026

 What Is American: Found Futures is the next installment of PUBLIQuartet’s GRAMMY®-nominated statement/question, What Is American. Featuring recent works by George Lewis, Jlin, Mazz Swift, Henry Threadgill, and members of PUBLIQuartet, interspersed with reinterpretations of music by Julia Perry, Duke Ellington and Sun Ra, Found Futures blurs the boundaries between improvisation and composition, Afrofuturism and contemporary classical performance practice, perceived past and imagined future. This program envisions a future for American classical music in which improvisation is central; each work unlocks a spirit of now-ness, a gateway beyond American classical music’s "originalism." 

OTHER PROGRAMS

Available Now & on Request

"A perfect encapsulation of today’s trends in chamber music."

— The Washington Post

“…enormously creative, always attention grabbing, sometimes funny.”

— The New York Times

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