PUBLIQUARTET

GRAMMY NOMINATED

Found Futures

Available beginning August 2026

With this collection of subversive and powerful works for improvising string quartet, PUBLIQuartet invites audiences to consider music making as an act of resistance against oppression and advocacy for change: from the sardonic humor of Shostakovich’s Quartet No. 7, to the more explicit protest voiced by Charles Mingus’ “Fables of Faubus” and Daniel Bernard Roumain’s homage to Malcolm X, to iconic anthems by Marvin Gaye, Edith Piaf, and Nina Simone. Also on the program are works in which improvisation becomes a vehicle for transcending the traditional constraints and expectations of the string quartet: Jessie Montgomery’s “Break Away,” in which players literally break away from the written score by improvising, and a re-imagination of Franz Schubert’s “Death and the Maiden” quartet incorporating the extreme sonic palette of death metal. 

  • Dmitri Shostakovich String Quartet No. 7 in f-sharp minor, Op. 108 (1960)

    Marvin Gaye What’s Going On (1971)

    Jessie Montgomery Break Away (2013)

    PUBLIQuartet / Franz Schubert MIND | THE | GAP: Death Metal and the Maiden (new work) Improvisations on Franz Schubert’s String Quartet in d minor (D. 810)

    Nick Revel DotDash (2017)

    Charles Mingus Fables of Faubus (1959)

    Daniel Bernard Roumain String Quartet No. 1 (X) (1993)

    PUBLIQuartet / Nina Simone MIND | THE | GAP: Nina! (2018) Improvisations on the music of Nina Simone

    John Paul and Jannina Norpoth (inspired by Edith Piaf) Il N'est Pas (2025) on text goes here

Good Trouble

Available beginning August 2026

 What Is American: Found Futures is the next installment of PUBLIQuartet’s GRAMMY®-nominated statement/question, What Is American. Featuring recent works by George Lewis, Jlin, Mazz Swift, Henry Threadgill, and members of PUBLIQuartet, interspersed with reinterpretations of music by Julia Perry, Duke Ellington and Sun Ra, Found Futures blurs the boundaries between improvisation and composition, Afrofuturism and contemporary classical performance practice, perceived past and imagined future. This program envisions a future for American classical music in which improvisation is central; each work unlocks a spirit of now-ness, a gateway beyond American classical music’s "originalism." 

  • George Lewis  New work commissioned by PUBLIQuartet (2025) 

    Jlin  Baobab (2024) 

    Mazz Swift  Digging Gold, Deeper Blue (2024) 

    Julia Perry 

    • Miniature for Piano (1972), arr. Hamilton Berry 

    • Prelude for Piano (1946, rev. 1962), arr. Hamilton Berry 

    • Ye Who Seek the Truth (1952), arr. Jannina Norpoth 

    Curtis Stewart  We Who Seek (2023) 

    Duke Ellington  "Come Sunday" from Black, Brown, and Beige (1942) 

    Sun Ra  Interstellar Low Ways (1960) 

OTHER PROGRAMS

Available Now & on Request

"A perfect encapsulation of today’s trends in chamber music."

— The Washington Post

“…enormously creative, always attention grabbing, sometimes funny.”

— The New York Times

BIO

Applauded by The Washington Post as “a perfect encapsulation of today’s trends in chamber music,” and by The New Yorker as “independent-minded,” multi-GRAMMY®-nominated PUBLIQuartet is an improvising string quartet whose repertoire blends genres and highlights American multiculturalism. PUBLIQuartet rose on the music scene as winner of the 2013 Concert Artists Guild New Music/New Places award, and in 2019 garnered Chamber Music America’s prestigious Visionary Award for outstanding and innovative approaches to contemporary classical, jazz, and world chamber music. PQ’s genre-bending programs range from newly commissioned pieces to re-imaginations of classical works featuring open-form improvisations that expand the techniques and aesthetic of the traditional string quartet.

PUBLIQuartet has held artist residencies at The Metropolitan Museum of Art and National Sawdust, and has performed everywhere from Carnegie Hall and Lincoln Center to the Montreal, Newport and Detroit Jazz Festivals. Their 2016 appearance on The Colbert Report, “Requiem for a Debate” - in which they improvised a live soundtrack to the third presidential debate - not only received over a million views, but saw the Washington Post declaring them "the winner...indubitably." Their 2023-2024 season includes performances at USC and the Library of Congress, with the New York City Ballet, as well as tour dates with jazz artists including Hiromi, Diane Monroe, and Magos Herrera.

The quartet’s latest album, the GRAMMY®-nominated What Is American, released in June 2022 on the Bright Shiny Things label, explores resonances between contemporary, blues, jazz, freely-improvised, and rock-inflected languages, all of which trace their roots back to the Black and Indigenous musical traditions that inspired Dvorak’s “American” String Quartet (Op. 96). The album also includes CARDS 11-11-2020, written by Roscoe Mitchell for PUBLIQuartet, as well as works by Ornette Coleman, Rhiannon Giddens, and Vijay Iyer.

Committed to creating an inclusive performance space, supporting living composers of varying genres, and expanding the classical canon, PUBLIQuartet was the inaugural ensemble-in-residence for Carnegie Hall’s PlayUSA program in 2021-2022, working with high school music classes across the country on a large-scale creative project called Reflections on Resilience. Their innovative PUBLIQ Access program has promoted emerging composers by presenting a wide variety of under-represented music for string quartet--from classical, jazz and electronic, to non-notated, world and improvised music. Other unique projects include MIND | THE | GAP, a series of creative projects developed by PQ that weave together different styles of music via group composition, arranging, and improvisation. These unique works range from “Bird in Paris” (Claude Debussy meets Charlie Parker) to more recent extended works including Reflections on Beauty, a multimedia celebration of the life and legacy of Madam C.J. Walker featuring visual projections and narration by Walker's great-great-granddaughter, A'Lelia Bundles.

Founded in 2010, PUBLIQuartet is based in New York City.

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